kwaidan movie analysis

While its supernatural themed tales were subtle when compared to other tales of this genre I found them to be potent nonetheless and if I were to describe it with one word it would be Haunting! Made by fans in Auckland, New Zealand. Longing for his first wife, he returns to her. The film consists of four unconnected narratives, vaguely mapping onto the four seasons, each adapted by Mizuki Yoko from a story by Hearn (two from the 1904 collection Kwaidan, two from elsewhere in his extensive body of work analysing the stuff of Japanese culture). Probably the most well directed horror movie I have ever seen. His books include The Scorsese Picture: The Art and Life of Martin Scorsese, Open Secret: Gay Hollywood 1928–2000, and Masters of Cinema: Roman Polanski. A penniless samurai (Rentarô Mikuni) marries for money with tragic results. It could be an all-time favourite, or just one I particularly enjoyed. The snow is falling silently, but never stops. And I cannot stress enough how gorgeous those sets and lighting are, how haunting the score, and just how confidently and (seemingly) effortlessly the whole thing is directed. Many great movies use actors who come draped in respectability and prestige, but Robert Mitchum has always been a raffish outsider. Really it’s just an excuse to watch some great films again, and think a little more about them. Teng Kuan Ng Oct 2, 2011 EASTD123 Japanese Cinema & Performance Midterm Paper Assignment: Q. A collection of four Japanese folk tales with supernatural themes. Often cited in Critic's top ten lists, Kwaidan is a truly outstanding experience - available uncut for the first time. Timeless, but maybe 1960s Japan would have special attraction to moral lessons like: "next time stay at home" or "keep your promises, for the sake of the children, because the past will come back to haunt you" or "remember the past, tell its story well, but don't blindly adhere to it" or "don't be a security obsessed jerk who drinks a soul in my unfinished story or whatever the lesson was in that last one.". A man stranded in a blizzard is saved by Yuki the Snow Maiden, but his rescue comes at a cost. Kobayashi Masaki, 1965), the non- human world works to a large extent as a retributive system through which karmic justice is played out in the human world. This film contains four distinct, separate stories. The woodcutter is a happily married man with three children. Analysis of Clockwork Orange Film Kdk: type of the compounding period of them, analyzing character i m thinking, literary periods. Kwaidan won a special jury prize at Cannes in 1965 and received a Best Foreign Film Oscar nomination. It is based on stories from Lafcadio Hearn's collections of Japanese folk tales, mainly Kwaidan: Stories and Studies of Strange Things (1904), for which it is named. So, I love Kwaidan because it hits all of the elements that are key to my tastes. The decision haunts him. As directed by Kobayashi, Hearn’s four tales unfurl across the screen like versions of the classic Japanese paintings of the historical periods in which the film is set.Winner of the Special Jury Prize at the 1965 Cannes Film Festival, Kwaidan represents a considerable departure from the works of its director, who made his initial fame with such socially conscious dramas as Black River (a study of corruption brought about by U.S. military bases in Japan) and The Human Condition (an exposé of Japanese mistreatment of Chinese in POW camps). It could be an all-time favourite, or just one I particularly enjoyed. Unbelievable production design. Although you often know more than you will say, you are discreet in your choice of friends. "Harakiri," one of the best of them, is about an older wandering samurai who takes his time to create an unanswerable dilemma for the elder of a … David Ehrenstein has been writing about film and gay politics since 1965, for a wide variety of publications. This site is protected by reCAPTCHA and the Google privacy policy and terms of service apply. Each tale are slow burns, so beware of the sluggish pacing but Kobayashi is just disciplining his viewers with such patience with mesmerizing cinematography and incredible poise of direction as he takes his…, Review by Naughty aka Juli Norwood ★★★★ 2, __________________________________________________________________, Film #10 of the "Scavenger Hunt" Challenge! This film contains four distinct, separate stories. Yotsuya Kaidan (四谷怪談), the story of Oiwa and Tamiya Iemon, is a tale of betrayal, murder and ghostly revenge.Arguably the most famous Japanese ghost story of all time, it has been adapted for film over 30 times and continues to be an influence on Japanese horror today. A three hour long poem. Join us for some (sometimes) intelligent discussion, great movie re A Haunted Nation Kwaidan, Horror, and Post-occupation Japan by Craig Ian Mann is an excellent and well-researched essay placing Kwaidan in the context of the larger cycle of horror films produced in Japan during the 1950s and ’60s. The opening credits, for example, play over swirls of coloured ink in water, both referring to the film’s source and anticipating the stories to come. I'm attending Orycon 34! Kwaidan (1964) Working from source material by Lafcadio Hearn, Masaki Kobayashi treats his four adaptations to mighty doses of studio artifice to achieve a painterly hyper-reality. Task #9 : An Art House Film! I can't pick a favorite out of the four short stories, all fit each other so well in terms of tone and style and the unnatural quality/background that can be both disorienting and enchanting. I can handle the truth. Synopsis Bizarre, unearthly, terrifying— a nation’s legend, an author’s imagination, a director’s creation manifest in the superlative— Kwaidan Taking its title from an archaic Japanese word meaning “ghost story,” this anthology adapts four folk tales. One of the most meticulously crafted supernatural fantasy films ever made, Masaki Kobayashi’s Kwaidan (1964) is also one of the most unusual. But, for the purposes of this analysis, we ought to just consider her transformation from wife into ghost, as triggered by the resentment she feels toward the promise-breaking husband. October 27, 2020. The title, Kwaidan, simply means “Ghost Stories” in Japanese, and this film shows four of the seventeen tales that were written in the original book in 1904. letterboxd.com/naughty/list/scavenger-hunt/, If you like (American film) watch (foreign film), if you like (popular not-Russian movie) watch…, Guillermo del Toro's twitter film recommendations. Boston: Little, Brown, and Company, 1904. Share. © Letterboxd Limited. Source Hearn, Lafacdio. But I loved the core theme they all share together: death and the fear of getting old, at least, that's what I get as everyone who died always aged to death. I was enchanted with all of them except for the last tale! combined edo period japanese kabuki style stories with surrealist aesthetics, even though it was 3 hours long i didn’t get distracted once so that’s saying something, Nothing too crazy in terms of the stories. Explore the mysterious Azuma Manor and do battle with the Yoki that lurk within, all while solving devilishly clever mechanical puzzles. Get info about new releases, essays and interviews on the Current, Top 10 lists, and sales. The cinematography was absolutely striking! 1964 Deriving its title from the word for "ghost story" in Japanese Kwaidan is a book by scholar and translator Lafcadio Hearn in which are compiled an array of ghost stories hailing from Japan. How will it all end?As the film shows in its chilling, Borges-like finale, this is achieved through the very process of storytelling itself. Winner of the Special Jury Prize at Cannes, Kwaidan features four nightmarish tales adapted from Lafcadio Hearn’s classic Japanese Ghost Stories about mortals caught up in forces beyond their comprehension when the supernatural world intervenes in their lives: “The Black Hair”, “The Woman of the Snow”, “Hoichi the Earless”, and “In a Cup of Tea”. Tweet. Samurai films, like westerns, need not be familiar genre stories. Four short stories from old Japanese folklore, with a focus on horror and the supernatural. Really it’s just an excuse to watch some great films again, and think a little more about them. Indian Reviews Short Film Review: Veena and Ukulele (2019) by Unni Vijayan. He makes palpable a vision in which beauty and horror not only coexist but complement one another.The first episode, The Black Hair, tells of a poor samurai (Rentaro Mikuni) who divorces his patient, loving wife (Michiyo Aratama) when he gets a chance to marry a rich man’s daughter (Misako Watanabe). Kwaidan de Masaki Kobayashi (1964) - Analyse et critique . They’re all pretty straightforward ghost stories. Pessimistic worldviews. Summary: Seamlessly combining 3D action and point-click adventure, Kwaidan provides a nostalgic-yet-new experience. Though he does go quiet at around the 2-hour mark, picking up again a few minutes later, he packs this 3-hour track full of details and analysis. A man stranded in a blizzard is saved by Yuki the Snow Maiden (Keiko Kishi), but his rescue comes at a cost. Though he does go quiet at around the 2-hour mark, picking up again a few minutes later, he packs this 3-hour track full of details and analysis. A penniless samurai … And we’d be remiss to not include at least the original kaiju movie, Godzilla. "The Story Of Mimi-Nashi-Hoichi." A penniless samurai marries for money with tragic results. One thing that has been discussed is the use of color and lighting in this movie to highlight different emotions and enhance either the horror…. Kwaidan won a special jury prize at Cannes in 1965 and received a Best Foreign Film Oscar nomination. Movies By The Letter is a weekly film podcast featuring in depth discussion and analysis from hosts Jonathan, Carter, and Nich. No matter what happens to you, you land on your feet and easily leap obstacles in your path. A 1964 film directed by Masaki Kobayashi, based on the Japanese ghost stories collected and translated by Lafcadio Hearn. It makes a fitting, witty conclusion to a film that with beauty, subtlety, and shock draws the viewer further from the real world and closer and closer to the supernatural. Deriving its title from the word for “ghost story” in Japanese Kwaidan is a book by scholar and translator Lafcadio Hearn in which are compiled an array of ghost. You believe in yourself and are at peace within. With that being said Kwaidan hit the sweet spot! Boston: Little, Brown, and Company, 1904. Show All… Accented Cinema - Episode 4J-horror is one of those genres that still in the mind of people, despite how short live it really is. Shot almost entirely in enormous studio sets, with a completely post-synched and carefully controlled soundtrack, Kwaidan is about as far from moviemaking “realism” as it’s possible to go. The fact that Criterion’s Blu-ray transfer of Kwaidan is so pristine that one can even distinguish the individual specks of artificial snow within the wintry mounds of “The Woman in the Snow” isn’t a problem; if anything, further clarifying the film’s meticulous fakery sheds new light on its self-conscious construction of Japanese society. A miscellany of ghost stories, odd tales. More details at One of the most influential high-school movies ever made, Amy Heckerling’s debut feature is both a raunchy crowd-pleaser and a keen sociological snapshot of teen culture. As always, the Danger with an anthology movie is what if there are varying levels of quality between the parts, does that take away from the whole? Absolutely blown away by this, in case you couldn’t tell. Also as it happens with any anthology film, some are better than others. Kwaidan is one of those movies that reminds you every moment that you are watching a movie. No deep-dives or analysis with a fine-tooth comb, merely a simple recommendatory review. Incredibly beautiful captured and stylized. I just love it. Tropes seen in this film include: Adaptation Expansion : "Earless Ho'ichi" begins with a retelling of the final Genji-Heike battle, only alluded to in the literary version. Winner of the Special Jury Prize at the 1965 Cannes Film Festival, Kwaidan represents a considerable departure from the works of its director, who made his initial fame with such socially conscious dramas as Black River (a study of corruption brought about by U.S. military bases in Japan) and The Human Condition (an exposé of Japanese mistreatment of Chinese in POW camps). In what became his biggest hit to date, Olivier Assayas turned his methods of postmodern reflection onto his own medium, which was being drastically transformed by digitization and globalization at the end of the twentieth century. *FREE* shipping on qualifying offers. A beautiful, compelling and genuinely chilling masterwork of film storytelling, Kwaidan imbues the poetic simplicity of Hearn's original tales with an almost Shakespearean grandeur, and in a manner that manages to be artistically thrilling even as it sends serious shivers down your spine. horror films, heist…, Updated: April 16, 2021 Created: January 13, 2013 View More Lists Follow Me, ——————————————————————— CRITERION CHALLENGE 2021 ➔ ———————————————————————, Ben_Macdonald 415 films 19,862 192 Edit, Complete list of the films Guillermo del Toro has recommended on twitter. No deep-dives or analysis with a fine-tooth comb, merely a simple recommendatory review. Darren Carver-Balsiger 425 films 11,667 722 Edit, Movies made by auteur directors with a very arthouse sensibility, that happen to be genre movies (e.g. Kobayashi strikes again, baby! Kwaidan: Stories and Studies of Strange Things [Lafcadio Hearn] on Amazon. Share. It’s packed with facts and also tracks the contemporary press coverage before embarking on an extended and insightful analysis of all four segments of the movie … Kwaidan. Accompanying the film here is a brand new audio commentary by film scholar Stephen Prince, a nice surprise since Criterion hasn’t been recording many new tracks lately. This and other stories in Kwaidan are notable for re-creating the atmosphere of ancient Japan along with sensations of mystery and horror. As a collection of spooky, transfixing stories fabricated through heightened artificiality and blooming colors, Kwaidan slams the viewer into a mesmerizing trance. Kwaidan is usually classified as “a horror movie”, and unquestionably it deals with the supernatural; but those looking for visceral shocks or sudden scares have come to the wrong film. Kwaidan is an archaic transliteration of the term kaidan, meaning "ghost story". Madeleine's books will even high school essay, a 50%; f. Eo1100 to me. I was going to do a review for each of the four folk tales separately but the core components for each of them is supernatural and is about death. Madeleine's books will even high school essay, a 50%; f. Eo1100 to me. There are surprisingly already a bunch of explained analysis videos on youtube that discuss Midsommar in greater detail, but in this video, I wanted to dive into the character themes driving Danis character played by Florence Pugh. Kwaidan (1965) 2.14.34 ... For more on the fair use of film stills, see Kristin Thompson's "Report of the Ad Hoc Committee of the Society For Cinema Studies: 'Fair Usage Publication of Film Stills'" in Cinema Journal 32.2 (Winter 1993): 3-20. Uneven, but its mythic numinosity is not easily forgotten. For when you want to wallow in despair. There’s a large cast of extras, and the nature shots are impressive; the locations look very realistic, even though they were mostly shot in a studio. Kim Newman on “Kwaidan” – a new interview with the film critic and writer; Shadowings [35 mins] – a new video essay by David Cairns; Original trailers; Kwaidan (1964) clip Notice: The picture quality of these videos do not reflect the picture quality of the Blu-ray or DVD in this package. Soon the warrior is confronted by this interloper in the flesh. Bong Joon Ho combines gritty crime drama with absurdist comedy in his breakthrough second feature, a dark tale set during a tumultuous period in South Korean history. A dreamlike movie with dazzling visuals, Kwaiden does a lot right but is a little too long. A stylized theatrical back drop, a lighting change, a slightly off-kilter motion, a slightly off-sync cue in Toru Takemitsu's otherworldly soundtrack and suddenly you're transported into the dream. Perhaps Yuki-Onna is not able to match the ferocity of Yamamba because she can’t fit into the same metaphorical niche of unrestrained female fury. The film consists of four separate and unrelated stories. Kwaidan is a four part anthology series based on the short stories of author Lafcadio Hearn. Written by Kristoffer Tronerud. Colours whirling in a glass full water. Telling Hoichi that the ghosts will rip him to pieces if he continues to sing for them, the monk takes precautions by painting the blind singer’s entire body with prayer verses to ward off spirits.Unfortunately, he fails to paint Hoichi’s ears.The film’s last episode, In a Cup of Tea, brings the story cycle to a close with a tale about storytelling in which a writer recounts the saga of a warrior (Kanemon Nakamura) who discovers the reflection of someone else while glancing into his cup of tea. Kioshi Ogasawara (HD, 22 min) — A recent interview specially recorded for this release, the assistant director of the film shares various anecdotes and memories … Set in a forbidding frozen forest, it tells of a poor woodcutter (Tatsuya Nakadai) lost in a snowstorm with a friend (Jun Hamamura). Kaidan Destiny Analysis. Before the late Nineties J-Horror onslaught, before there was The Grudge, The Ring and The Eye, before the urban horrors of Takashi Miike and Evil Dead Trap, the Cyberpunk techno grunge horror of Tetsuo, before even the Kaiju Eiga cycle had become a commonplace feature … Jonathan Demme talks about it in the commentary to The Silence of the Lambs, and there's a version of it in just about any slasher or horror film … In fact, so touching is Hoichi’s singing that the ghosts rise up and demand the blind man give a command performance for them.Hoichi is willing to do so, but his late night performances before this ghostly audience put a strain on his health that catches the attention of the monastery’s head monk (Takashi Shimura). Works like The Great War (Mario Monicelli 1959), Everybody Go Home (Luigi Comencini, 1960), or A Difficult Life (Dino Risi, 1961), have established a dialectical relationship between humor and historical analysis. You are a good entertainer and host. Dorothy Arzner’s deeply cynical portrait of marriage exemplifies the director’s ambivalence toward the norms dictating female behavior, wielding ironic detachment to mask one woman’s simmering inner turmoil. (I'm dating myself; anything for the Z cause) Movie buff Zodiac could easily have caught it in a number of venues in the East Bay and San Francisco. KWAIDAN. Follow us. Interesting reference, Nachtsider. You have good words to say about everyone. Accompanying the film here is a brand new audio commentary by film scholar Stephen Prince, a nice surprise since Criterion hasn’t been recording many new tracks lately. Explore an old Japanese manor, solve clever puzzles, and fight against monsters called Yoki. Uipath's main street. It's a beautiful mix of apparitions, surreal visions, and stories birthed from the past, and while the stories vary in quality (1st two - stunning, 2nd two - merely good), by the film's startling, dissonant conclusion, it doesn't really matter. Uipath's main street. This is a masterful movie. "Harakiri" was released in 1962, the work of Masaki Kobayashi (1916-1996), best known for "Kwaidan" (1965), an assembly of ghost stories that is among the most beautiful films I've seen. A penniless samurai (Rentarô Mikuni) marries for money with tragic results. 1,511 films 8,557 134 Edit. The moment you lose yourself and awake in an archaic japanese world. And the only anthology movie in history where every segment, in and of itself, is a masterpiece. I would have welcome a faster pacing, but I guess by now the slow burn comes with the Masaki Kobayashi package. Hearn became a naturalized Japanese citizen in 1895, and changed his name to Yakumo Koizumi. A version of this story appears in the film Kwaidan, as well as the play The Dream of a Summer Day, which are both based on Hearn's work. Kwaidan is a psychological horror film for those who are seeking an utterly immersive experience, in which the viewer is gradually seduced by the deeply saturated colour, the expressiveness of the seemingly vast hand built studio sets, and the sheer time factor. Spotting the woodcutter, the deadly phantom takes pity on him and spares his life. The spelling "kwaidan" for "ghost story" is deliberately old-fashioned; the current romanization would be "kaidan." Tags Eureka Entertainment Katsuo Nakamura Kwaidan Masaki Kobayashi Tatsuya Nakadai. "Black Hair": A poor samurai who divorces his true love to marry for money, but finds the marriage disastrous and returns to his old wife, only to discover something eerie about her. Who by the way just gives an exceptional breakout performance in this film and can only hope she keeps picking up these kinds of creatively challenging roles. Some of the shots are very artistic, with snowscapes and alien skies. Analysis of Clockwork Orange Film Kdk: type of the compounding period of them, analyzing character i m thinking, literary periods. The sound of a foreign, far away instrument. I so enjoy this I could've watched another 3 hours. Yet in going to such dramatically ambitious lengths as adapting aspects of Kabuki and Bunaraku puppet theatre to filmmaking techniques, Kobayashi achieves a subtle synthesis of realism and stylization. “Kwaidan” is a film that truly deserves to be watched, not just seen, as a genuine visual poem and a true classic of world cinema. Kwaidan (怪談, Kaidan, literally "ghost stories") is a 1965 Japanese anthology horror film directed by Masaki Kobayashi. Masaki Kobayashi directing a horror anthology film? Source Hearn, Lafacdio. Not scary, but nice to look at. Set in a monastery, the story centers on a blind musician (Katsuo Nakamura) who delights in singing songs of the ancient sea battle between the Heike and Genji clans whose burial grounds are within walking distance of the monastery. I personally prefer full feature films as I feel short stories don't have enough time to compel and amaze you! ... Legend summary. Scene Analysis; Special Pages; November 2, 2006 / brandon / Film Notes. A never ending love, and a night to remember. Kwaidan (pronounced Kaidan) is probably one of the most unique films that one could possibly find within the exceptionally large number of arthouse Asian films. Eyes in the sky, surrounded by wild brush strokes. A three hour long nightmare. Blind musician Hoichi is forced to perform for an audience of ghosts. Incredibly visualized encounters with an alien, intrusive spirit world. Michiyo Aratama Misako Watanabe Rentaro Mikuni Kenjirō Ishiyama Ranko Akagi Fumie Kitahara Kappei Matsumoto Yoshiko Ieda Otome Tsukimiya Kenzô Tanaka Kiyoshi Nakano Tatsuya Nakadai Keiko Kishi Yūko Mochizuki Kin Sugai Noriko Sengoku Akiko Nomura Torahiko Hamada Jun Hamamura Katsuo Nakamura Tetsurō Tamba Takashi Shimura Yoichi Hayashi Eiko Muramatsu Kunie Tanaka Kazuo Kitamura Ichirô Nakatani Masanori Tomotake Tokue Hanazawa Deriving its title from the word for "ghost story" in Japanese Kwaidan is a book by scholar and translator Lafcadio Hearn in which are compiled an array of ghost stories hailing from Japan. Share. I love how lighting was used so obviously (like a stage play) to contrast the character's sanity in the first story, the sadness and guilt conveyed through the second, the shock and chaos in the third, and the absurdity of the forth. Winner of the Special Jury Prize at Cannes, Kwaidan features four nightmarish tales in which terror thrives and demons lurk. Kwaidan, 1965, directed by Masaki Kobayashi, screenplay by Yôko Mizuki, from short stories written by Lafcadio Hearn.. But the samurai quickly discovers that wealth and security mean nothing next to true love. Yet, so secure is our hero in his family that he’s prepared to tell his wife about the mysterious woman who nearly brought his life to an end.But is this wife truly who she seems to be? I especially loved the use of double exposure to create the ghosts. "Kwaidan" was a staple at Bay Area repertory theaters in the late Sixties... when I first saw it. one of my new favorite films. Tropes seen in this film include: Adaptation Expansion: Earless Ho'ichi begins with a retelling of the final Genji-Heike battle, only alluded to in the literary version. TMDb In American horror films, one of the obligatory shots for building tension is a tracking shot down a hallway to an unopened door. Ranking of the four shorts: The Woman of the Snow 5/5 (the red and white contrast>>>)The Black Hair 4 and a half /5Hoichi the Earless 4/5 In A Cup of Tea 4/5. Director: Masaki Kobayashi. letterboxd.com/naughty/list/scavenger-hunt/, ___________________________________________________________________. The feeling of unease, of shiver, of eerie. The author’s rendering of Japanese folktales made him famous around the globe, but, a century later, Hearn remains the wildest character of all. But in challenging him to a duel, our hero learns he’s dealing with a very elusive phantom.Soon this teasing spirit is joined by a trio of others that the warrior fights off with a with similarly frustrating results. A cup of tea that attracts attention. Kwaidan: stories and studies of strange things, by Lafcadio Hearn; 1904; Houghton Mifflin Company, New York. Share. Kwaidan. Pulverizer manufacturers march, writing in between naruto, heroes. But when the woodcutter awakens, he discovers a mysterious ghost-like woman (Keiko Kishi) blowing her icy breath over his friend’s body and killing him. His wife, praised by the community as an ideal of patience and beauty, doesn’t (like the heroine of the first episode) appear to age. When all is…, “We owe more to our illusions than to our knowledge” -Lafcadio Hearn. "Black Hair": A poor samurai who divorces his true love to marry for money, but finds the marriage disastrous and returns to his old wife, only to discover something eerie about her. This week I'm taking a look at a Japanese anthology horror film, and part of the Criterion Collection - Kwaidan. Is she somehow connected with the icy succubus whose path he crossed years before?In the film’s third (and most grisly) episode, Hoichi, the Earless, the supernatural appears in a strikingly different form. A three hour long dream. And what would an “eternity” with her really mean?Thwarted love appears in a different guise in the film’s second episode, The Woman of the Snow. Taking refuge in a shack, the pair collapses from exhaustion. Happily, while his old house may be a bit dilapidated, his first wife hasn’t changed a bit since he left her. Master list of every film I've seen from the entire Asian continent, from West to East to South. - Horror Hunt 25: boxd.it/5IHAg Watch any horror film made in the country of Japan. While it offers some chilling touches, this is above all a mood-piece. Tobias Andersen 8,809 films 21,483 862 Edit, Rules: Generate a number (from 1 to x) via: www.random.org, See how many number of films there are in the…, For more international film goodness check out Letterboxd’s Top 250 International Films and if you like (popular not-Russian movie) watch…. Japanese horror movies got a big leg-up in the 1950s and 1960s with Ugetsu and Kwaidan, before spinning heads over time with transgressive cult works (Tetsuo: The Ironman), comedic takes (Hausu, One Cut of the Dead), and crossover hits (Ringu, Audition).

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